{"id":2741,"date":"2026-09-20T20:28:03","date_gmt":"2026-09-20T20:28:03","guid":{"rendered":"https:\/\/florakoszeghy.com\/?page_id=2741"},"modified":"2026-09-20T21:49:07","modified_gmt":"2026-09-20T21:49:07","slug":"info","status":"publish","type":"page","link":"https:\/\/florakoszeghy.com\/?page_id=2741","title":{"rendered":"INFO"},"content":{"rendered":"\n
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BIO<\/h2>\n\n\n\n

Fl\u00f3ra K\u0151szeghy is a visual artist and architect whose practice explores the changing relations between human bodies, technical objects and spatial environments. Moving between painting, installation, digital image-making and architectural thinking, she examines how machines are anthropomorphised, how agency is projected onto objects, and how technological systems reshape perception and embodiment.<\/strong><\/p>\n\n\n\n

Her work connects post-digital image-making with posthuman questions of agency, scale and technological intimacy. From early paintings based on enlarged fragments of analogue machines to spatial installations, speculative robot iconographies and recent works informed by generative image systems, her practice follows the gradual transformation of the technical object from instrument into partner, image and quasi-subject.<\/strong><\/p>\n\n\n\n

PRACTICE<\/h2>\n\n\n\n

Technology appears in K\u0151szeghy\u2019s work less as a subject than as a condition of coexistence. Her early paintings transformed fragments of analogue machines into ambiguous, body-like forms whose scale and function remained uncertain. Later installations extended these questions into physical and architectural space, making the viewer\u2019s own body part of unstable relations between object, environment and scale.<\/strong><\/p>\n\n\n\n

A subsequent group of works developed speculative images of technological beings: machine-like bodies, relics and quasi-devotional figures belonging to imagined posthuman worlds. With the arrival of generative image systems, the relationship between human and machine shifted again. Early AI-generated figures became source material for drawings and paintings, their anatomical errors and synthetic transitions deliberately preserved rather than corrected.<\/strong><\/p>\n\n\n\n

In her most recent works, this process has reversed. K\u0151szeghy constructs analogue collages by hand that imitate the visual logic of early generative AI, then translates them into painting. What began as machine vision becomes a learned human visual language: a recursive exchange in which human and technological perception continuously reshape one another.<\/strong><\/p>\n\n\n\n

Across painting, installation, virtual space and architecture, her work returns to the same underlying question: where does the human end when objects, machines and environments increasingly participate in how we perceive, imagine and construct reality?<\/strong><\/p>\n\n\n\n

SELECTED SOLO EXHIBITIONS<\/h3>\n\n\n\n

2023<\/strong> \u2014 Elastic Scale<\/em>, FUGA, Budapest
2022<\/strong> \u2014 Architectural Being<\/em>, Fest;tiszt\u00edt Gallery, Budapest
2021<\/strong> \u2014 Analogues<\/em>, \u00daj M\u0171hely Gallery, Szentendre
2020<\/strong> \u2014 Spatial Cuts vol. 3: ..LAS<\/em>, Kahan Art Space, Budapest
2019<\/strong> \u2014 Techno Organic Creatures<\/em>, Karinthy Salon, Budapest
2019<\/strong> \u2014 Non Continuum<\/em>, Valid World Hall, Barcelona
2018<\/strong> \u2014 Logical Being<\/em>, FUGA, Budapest
2017<\/strong> \u2014 Literal Biopsy<\/em>, P28 Gallery, Budapest<\/p>\n\n\n\n

SELECTED GROUP EXHIBITIONS & ART FAIRS<\/h3>\n\n\n\n

2022<\/strong> \u2014 Howard Baker Contemporary, Art Market Budapest
2021<\/strong> \u2014 Poszt Stadion Stadium<\/em>, FUGA, Budapest
2021<\/strong> \u2014 Howard Baker Contemporary, Art Market Budapest
2020<\/strong> \u2014 Secret Gardens<\/em>, Gallery Max, Budapest
2020<\/strong> \u2014 Art Market Budapest, Magyar M\u0171hely Gallery
2019<\/strong> \u2014 Cover\/Age<\/em>, M\u0171csarnok \/ Kunsthalle Budapest
2019<\/strong> \u2014 O.F.N.I.<\/em>, Valid World Hall, Barcelona
2017<\/strong> \u2014 Viewing Space<\/em>, FUGA, Budapest
2017<\/strong> \u2014 Ausgleich<\/em>, Collegium Hungaricum, Vienna
2017<\/strong> \u2014 AQB@Dunapest, ArtQuarter Budapest<\/p>\n\n\n\n

SELECTED PRESS & INTERVIEWS<\/h3>\n\n\n\n

Bogn\u00e1r Melinda:<\/strong> \u201cAnal\u00f3g digit\u00e1lis: K\u0151szeghy Fl\u00f3ra ki\u00e1ll\u00edt\u00e1sa a Fug\u00e1ban\u201d \u2014 \u00c9p\u00edt\u00e9szf\u00f3rum<\/em>, 2023
Sirbik Attila:<\/strong> \u201cGyakorolni az alkalmazkod\u00e1st\u201d \u2014 interview, Prae.hu<\/em>, 2023
Daniel Lichterwaldt:<\/strong> \u201cInterview with Fl\u00f3ra K\u0151szeghy\u201d \u2014 Les Nouveaux Riches Magazine<\/em>, 2020
M\u00e1rton Zs\u00f3fia:<\/strong> \u201cJelent\u00e9ktelen r\u00e9szletek\u201d \u2014 \u00daj M\u0171v\u00e9szet<\/em>, 2019
Sirbik Attila:<\/strong> \u201cAz \u00e9p\u00edt\u00e9s rombol\u00e1s\u201d \u2014 \u00daj M\u0171v\u00e9szet<\/em>, 2019
Szil\u00e1gyi G\u00e1bor:<\/strong> \u201cLogical Being: K\u0151szeghy Fl\u00f3ra festm\u00e9nyei\u201d \u2014 Octogon<\/em>, 2019
L\u00e1ng Judit:<\/strong> \u201cK\u0151szeghy Fl\u00f3ra dimenzi\u00f3i\u201d \u2014 \u00c9p\u00edt\u00e9szf\u00f3rum<\/em>, 2018
M\u00f3zer Bettina:<\/strong> \u201cK\u0151szeghy Fl\u00f3ra: A fot\u00f3z\u00e1s, a fest\u00e9s \u00e9s az \u00e9p\u00edt\u00e9szet k\u00f6lcs\u00f6nhat\u00e1sai \u00e9rdekelnek\u201d \u2014 Papageno<\/em>, 2018<\/p>\n\n\n\n

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SELECTED WRITINGS & RESEARCH<\/p>\n\n\n\n

2023<\/strong> \u2014 \u201cA virtu\u00e1lis t\u00e9r \u00e9s az \u00e9p\u00edt\u00e9szet k\u00f6lcs\u00f6nhat\u00e1sai a Minecraft narrat\u00edv\u00e1j\u00e1ban\u201d \u2014 Prae.hu<\/em>
2023<\/strong> \u2014 \u201cA j\u00f6v\u0151 intelligens \u00e9p\u00edt\u00e9szete, a v\u00e9geredm\u00e9ny nem felt\u00e9tlen\u00fcl \u00e9p\u00edt\u00e9szeti, hanem t\u00e1rsadalmi k\u00e9rd\u00e9s\u201d \u2014 Prae.hu<\/em>
2022<\/strong> \u2014 \u201cL\u00e9pt\u00e9kveszt\u00e9s, avagy az emberi m\u00e9rt\u00e9k h\u00e1tt\u00e9rbe szorul\u00e1sa\u201d \u2014 \u00daj M\u0171v\u00e9szet<\/em>
2022<\/strong> \u2014 \u201cL\u00e9pt\u00e9kveszt\u00e9s\u201d \u2014 Octogon<\/em>
2022<\/strong> \u2014 \u201cSzel\u00edd ki\u00e1ltv\u00e1ny \u00f6nmagunknak az \u00f6nc\u00e9l\u00fas\u00e1g jegy\u00e9ben\u201d \u2014 Octogon<\/em>
2021<\/strong> \u2014 \u201cA lehetetlen \u00e9p\u00edt\u00e9szete fel\u00e9\u201d \u2014 \u00daj M\u0171v\u00e9szet<\/em>
2021<\/strong> \u2014 \u201cL\u00e1zad\u00e1s az algoritmus ellen\u201d \u2014 \u00daj M\u0171v\u00e9szet<\/em>
2021<\/strong> \u2014 \u201cJelenk\u00e9pek a j\u00f6v\u0151b\u0151l\u201d \u2014 \u00daj M\u0171v\u00e9szet<\/em><\/p>\n\n\n\n

SELECTED INTERDISCIPLINARY PROJECTS<\/h3>\n\n\n\n

2020<\/strong> \u2014 Set design for Oktat\u00e1s<\/em>, T\u00c1P Theatre Company
2019<\/strong> \u2014 Stage design for Zabol\u00e1tlan Lovaim album launch, Katona J\u00f3zsef Theatre, Budapest
2017<\/strong> \u2014 Performative painting, Utas \u00e9s holdvil\u00e1g<\/em>, Traf\u00f3 \/ T\u00c1P Theatre Company, directed by Vilmos Vajdai
2008<\/strong> \u2014 Founder and moderator of Lelt\u00e1r<\/em>, an independent art salon<\/p>\n\n\n\n

DUCATION<\/h3>\n\n\n\n

Moholy-Nagy University of Art and Design (MOME), Doctoral School \u2014 DLA <\/strong>2025
Budapest University of Technology and Economics \u2014 Doctoral School of Architecture<\/strong>, absolutorium 2011
Budapest University of Technology and Economics \u2014 Faculty of Architecture<\/strong>, Diploma in Architecture, 2006
\u00c9cole d\u2019Architecture de Paris\u2013La Villette<\/strong>, Erasmus scholarship, 2003\u20132004<\/p>\n\n\n\n

SELECTED CURATORIAL PROJECTS<\/h3>\n\n\n\n

2026 \u2014 Edge Fest \u2014 Curator<\/a><\/strong>: https:\/\/edgefest.hu\/en<\/a>
2026 \u2014 Hyperion Meetup \u2014 Curator<\/strong>: https:\/\/hyperionmeetup.hu\/<\/a><\/p>\n\n\n\n

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BIO Fl\u00f3ra K\u0151szeghy is a visual artist and architect whose practice explores the changing relations between human bodies, technical objects and spatial environments. Moving between…<\/p>\n

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